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Two side-by-side posters on a brick wall show a yellow and grey design for Garry Fabian Miller at Arnolfini, with the word “Adore” in large type.

Garry Fabian Miller

A Celebration of Light

  • Campaign
  • Exhibition Design
  • Publishing

Garry Fabian Miller is one of the most progressive figures in fine art photography. With a deep understanding of darkness and light, Fabian Miller has committed his life to the inherent romanticism of the darkroom, exploring both the dawn and the dusk in a constant pursuit to create ‘something that wouldn’t have existed before’.

ADORE is a major retrospective at the Arnolfini, inviting audiences on this journey, exploring the artist’s ‘camera-less’ practice and weaving in work by artists, writers and thinkers that have inspired him across the last five decades.

HS worked closely with Fabian Miller to create the visual identity, campaign and accompanying book to this extraordinary show.

From the outset Fabian Miller fostered an ambition for the exhibition to stretch beyond the physical confines of the gallery and into the surrounding city of Bristol – a celebratory festival of musicians, filmmakers and writers, poets and collaborators who have contributed to Garry’s extraordinary practice. In this sense, the show is a gift to the city, a thing of joy – and as Fabian Miller describes it – ‘affirmation of a life well-lived’

The campaign served as an extension of this idea – creating the means of bringing a smaller series of works into the streets of the city. The images themselves are powerful compositions of colour, symmetry and form, so the typographic system needed to feel harmonious, whilst establishing structure and rigour. Scale was also an important consideration; the large application of the word ADORE evokes a feeling of generosity, again, playing back the notion that the show is a gift.

This typographic approach was extended into the design of the book that has been published to coincide with the show. 255 pages in length, the format of the book is both precious and intimate.
Bound in a limited edition of three colours, each of them makes reference to a colour inherent in Fabian Miller’s work itself. The cover carries a single ring, a recurring motif in his work. It also suggests the completion of a life cycle and is symbolic of the sun – the most powerful light source of all.

Two framed exhibition posters on a brick wall feature pale blue backgrounds, large yellow squares, and white typography reading “Garry Fabian Miller” and “Adore”.
Two framed Arnolfini posters on a brick wall, each reading Garry Fabian Miller and Adore beside a green plant-like image and event details.
Repeated exhibition posters for Garry Fabian Miller with the title Adore, using blue and red gradients and a large white oval shape.
Neatly arranged pink, yellow and olive-green books or boxes with textured covers, each marked by a large embossed circle and partial vertical lettering on the spines.
Three brightly coloured book spines reading “Adore” stand upright, with embossed lettering and a large oval deboss on the yellow cover.
Three stacked coloured panels with embossed Adore lettering and the name Garry Fabian Miller at left on each band.
Bright yellow embossed cover with a large circular blind deboss and the word “Adore” on the spine, shown against a diagonal grey and black background.
Open book spread showing two minimalist colour-field artworks in yellow and pink, with small serif captions and page numbers 134 and 135.
Open book spread with vertical green and orange abstract strip images, and small centred grey serif captions on the right-hand page.
Open book spread showing two abstract blue artworks with glowing triangular light forms, titled Sites of Departure, with small captions beneath each image.
Open book spread with serif text, stacked colour names and a glowing square artwork on the right page against a dark blue field.
Open book spread with a small sepia drawing on the left page and a large blue-purple abstract square on the right, surrounded by serif captions.
Open book spread showing two abstract colour images with overlapping blue, red and yellow shapes, and small serif captions reading Colour Seed 4 and Colour Seed 1.
Open book layout showing a black-framed artwork with overlapping red, yellow and blue circles, set against a white wall above a wood floor.